Sunday, 27 November 2016

Thriller Sub Genres


  • Action Thriller 
    • Mis En Scene 
      • Dim lighting to put the audience on edge 
      • Mostly in small spaces or open terrain, plays on claustrophobic spaces or large "kill zones" 
      • Key characters rarely in the same room together - elusivity and "the chase" 
    • Editing 
      • Lots of cuts - shows the pace of the scenes 
      • cuts to characters - shows emotion and immerses the audience 
      • explosions & overtop effects - draws attention 
    • Sound 
      • Human, lots of footsteps and breathing, often employ the use of heartbeat sounds and ear ringing. Stereotypical scream sound (Wilhelm Scream) 
      • Environmental, birds chirping, streams(water), wind and vehicle noises (tire screech and helicopter roters) 
      • Action, Thuds, unrealistic gun noise when raising gun. Pinging noises of shell casings. 
    • Cinematography 
      • High Angle Shots - Needed to set the scene in new action sequences 
      • Corridor Shots - Used in fight scenes to give a clear view of action 
      • Close Ups - Mostly used to show frustration or in scenes where characters found out something bad. Also used to show a dying persons face. Particularly useful when it is unclear if someone dies (foreshadows comebacks) 
  • Psychological Thriller
    • Mis En Scene
      • Minimal setting puts emphasis on the character
      • Lots of Blue and White light - very in your face & unatural
      • Takes place in small rooms or in a repetetive environment
    • Editing
      • Cuts are done to focus on character movement - match on action (if you can call it action)
      • Long drawn out scenes - most editing done is lighting or post production effects
    • Sound
      • High pitched noises & creakes - unnerves the audience
      • Whispers to enforce deterioration of psyche
      • Foot steps - more eeriness
    • Cinematography
      • Door shots with feet underneath
      • Facial closeups - actor looks away from camera(staring into nothing), continues the degredation of characters mind
      • Pan shots of setting - shows the characters isolation
  • Supernatural Thriller
    • Mis En Scene
      • Jumbled settings - shows the non-sensicality of the situation
      • Extreme darkness - light will only be on the characters in many situations
      • Mostly in secluded areas - farms etc. 
        • Films like "Lights Out" show that setting is trumped by lighting
    • Editing
      • Lots of cuts to killers pov - shows the helplessness of the characters
      • Likes to cut to third person shots of Protagonist - we can see the error of their actions more cleary
      • Lots of lighting and post production
      • Filters - sepia tinge etc
    • Sound
      • Scraping and cracking - Symbolises presence of the Antagonist
      • Echo's, immersed in the protagonists confusion + creepy
      • Wind Whistling, bushes rustling - atmospheric sounds
    • Cinematography
      • Set Shots - camera is still and actions moves across the screen, this makes it seem like they are being watched
      • Low angles & Wormholes - adds lots of confusing scenes to disrupt equilibrium
      • Handheld - immerses the audience even further, handheld is very useful as it draws attention towards the middle of the screen. Due to the HUD around the screen the audience are less likely to notice disturbances around the friges of the scene. Therefore making it easier to add in jump scares etc.
  • Crime Thriller
    • Mis En Scene
      • sets show organised messes - crime scenes will often be messy but evidence and such will be clear to see. Very obvious actions from characters
      • LOVE to use alley ways and hallways - alley ways and hallways are the bread and butter of a Crime Thriller, they are the perfect place to commit a crime (insert dumpster here) and are easily used in get-away scenes.
    • Editing
      • Cuts closer and further away from character - shows the changing situations and provides body to characters quick thinking
      • Mostly lighting and such - in period films they also have to put in skylines and big picture settings.
    • Sound
      • Footsteps dominate the soundtrack - without footsteps a crime thriller would be very lacking in immersion, the pace and volume of footsteps dictate the atmosphere and foreshadow action in scenes
      • Atmospheric Sounds are very important - they signify whether a situation is under control or not, when the atmosphere is quiet the situation is normally fine, however when they start adding in wind and other such noises something will usually take a turn for the worst.
    • Cinematography
      • High Angle POV shots - this immerses the audience in the initial surveillence of scenes, it also allows the audience to see things coming which brings them satisfaction when the character eventually acts on this.
      • Set Shots - often used when arriving to a new scene, this is particularly useful when vehicles are involved. "No country for old men" & "The Zodiac" are two films that enjoy using Set Shots when involving vehicles.
  • Spy/Espionage/Political
    • Mis En Scene
      • Very Orgasnised Set Design - These films are supposed to show a sophisticated take on life and sets often reflect this. 
      • Disorganised Set Design - when a set is disorganised it is either showing something bad has happened or to demonstrate the disatrous consequences that could befall should the Protagonist fail
    • Editing
      • Lots of over the shoulder shots and tracking shots, this is due to the large amount of dialogue found in this genre. Because plot and script are so important editing is done so that the audience is always up close with the action
      • Explosions that cut to a facial closeup - done to show that the Protagonist is unphased by the situation at hand
    • Sound
      • Mellow sounds, often lots of nature - once again reinforces the calm and collected manner of the Spy, however can also be seen as the calm before the storm
      • Theme Tune - James Bond eat your heart out, the Spy Genre's key stone selling point, no movie is complete without it. They are often orchestral pieces, which (you guessed it!) show sophistication
    • Cinematography
      • 180 degree line is EVERYTHING, this once again is done because there is so much dialogue
      • Lots of wide angle shots, this is done to allow for over the top action sequences involving cars, boats and flying things! They are also used to show setting, eg "Casino Royal" shows the grandeur of the event.
  • Film Noir
Here is a short film demonstrating our understanding of Thriller sub-genres specifically Film Noir

Film Noir Plan












Story Boarding test

For this storyboarding test we were asked to re-create a childhood memory, think cinematically in terms of recreating the emotions felt at the time. I choose a childhood injury, a cracked head and tried to develop the urgency of the situation through the use of camera angles.





Tuesday, 22 November 2016

Why do we watch Scary Thrillers?


We watch scary things so we can purge(cleanse) and experience catharsis.

Aristotle
384 BC - 322 BC
We are drawn to violent, scary & negative imagery or experiences to release pent up feelings of aggression.
Dolf Zillmann
Excitation and Transfer Theory
Experiencing scary & negative situations creates an intensifying amount of positive feelings once those feelings of negativity are removed.
Glenn D. Walters
For films to be scary they must have tension & suspense. They must be unrealistic. They must employ the use of the micro elements and have a narrative.

Sunday, 20 November 2016

Credit Structure



The Panic Room Opening Sequence
  1. Columbia Cinematic
  2. Studio Name
  3. Production Companies
  4. Main Actors/Stars
  5. Movie Title
  6. Co-Stars
  7. Casting Staff
  8. Costume Design
  9. Music
  10. Editors
  11. Production Design
  12. Director of Photography + Qualifications
  13. Producers
  14. Writer
  15. Director

Ideology


  • An ideology is a collection of beliefs held by an individual, group, or society.
    • A set of conscious or unconscious ideas which make up expectations or motivations
  • Hegemony
    • A set of beliefs imposed by the dominant social group that is accepted by the rest of society.
      • Common sense
      • False Consciousness


Tzvetan Todorov

Theory of Narrative (Russian Folk Tales)
  1. A state of Equilibrium
  2. A disruption of the Equilibrium by some action
  3. A recognition that there has been a disruption
  4. Dealing with the Disruption
  5. A reinstatement of Equilibrium (Usually different from the start)

Image result for Tzvetan Todorov

Genre


How do we categorise film?
  1. Process? - Animation, CGI
  2. Audience Response? - Comedy/Horror
  3. Story - Coming of Age
  4. Location - Western, Sci-Fi
Genres are not a system, they are a process. That process is dynamic & evolves overtime Genres are instances of repetition & difference.
Hollywoods generic regime has two interrelated functions. One, is to guarantee meaning & pleasure for audiences. Two, to offset the considerable economic risks of film by providing, Cognitive Collateral Against Innovation & Difference.

Sound



  • Diegetic
    • What the Characters can here
  • Non-Diegetic
    • Sound added in post production
    • What characters cant here

Continuity Editing (Invisible Editing)


  • Editing that is used to create logical coherence for the audience.
  • The flow of time & space
  • Eye Line Match
    • When a character looks off screen, &, the image shifts to match a higher gaze
  • Establishing Shots
    • Sets the Scene
      • Location
      • Time of Day
      • Period/Place in History
      • Mood
  • Match on Action
    • The movement of an object/character matches that of the previous cut/scene
      • 180 degree line
    • Duration & Order

Conventions & Codes


  • Conventions are the generally accepted way of doing things, they are what the audience expects to see.
  • Codes
    • Codes are systems of signs, which create meanings. Codes can be divided into two categories - Technical and Symbolic
    • Technical
      • Technical codes are all the ways in which equipment is used to tell the story in a media text, for example camera work in a film.
    • Symbolic
      • Symbolic codes show what is beneath the surface of what we see. For example a characters actions show you how the character is feeling.
    • Some codes fit both categories - music for example is both technical & symbolic





Semiotics


  • Semiotics is the study of signs, &, Signs have two parts. 
  • The signifier, which we see, hear and touch. 
  • The signified which is the effect of the signifier.
    • Denotation - The common sense/obvious meaning
    • Connotation - The cultural/personal association
RolandBarthes.jpg
Roland Barthes
  • Barthes's many monthly contributions that were collected in hisMythologies (1957) frequently interrogated specific cultural materials in order to expose how bourgeois society asserted its values through them. For example, the portrayal of wine in French society as a robust and healthy habit is a bourgeois ideal that is contradicted by certain realities (i.e., that wine can be unhealthy and inebriating). He found semiotics, the study of signs, useful in these interrogations. Barthes explained that these bourgeois cultural myths were "second-order signs," or "connotations." A picture of a full, dark bottle is a signifier that relates to a specific signified: a fermented, alcoholic beverage. However, the bourgeoisie relate it to a new signified: the idea of healthy, robust, relaxing experience. Motivations for such manipulations vary, from a desire to sell products to a simple desire to maintain the status quo. These insights brought Barthes in line with similar Marxist theory. https://en.wikipedia.org/wiki/Roland_Barthes#Semiotics_and_myth
  • 3 Types of Sign
    • Icon
      • The signifier has a resemblance to the signified
    • Index
      • The signifier is connected, directly or casually
    • Symbol
      • The connection is arbitrary

The Zodiac

The Zodiac Killer

  • Director: David Fincher
    • Fight Club
    • Se7en
    • The Game
    • Panic Room
    • Gone Girl
    • Girl with the Dragon Tattoo
    • Alien 3
    • The Curious Case of Benjamin Button
  • Actors
    • Mark Ruffalo
      • David Toschi
        • No Nonsense
        • Stylish
        • Experienced
        • Balanced Life
        • Solid Evidence
          • Due Process
          • Does things to the book
        • Follows the Rules
    • Jake Gyllenhall
      • Robert Graysmith
        • Obsessed
        • Boy Scout
        • Unique
        • Nice Guy
        • Disorganised
        • Frantic
        • Method to the Madness
        • Stands out from the crowd
        • Outsider
    • Robert Downy Junior
      • Paul Avery
        • Nonschalante
        • Drunk
        • Up-Front/Straight Up
  • Genre
    • Crime Thriller
    • Serial Killer
    • Biographical
    • Historical - Period Film
  • Serial Killer --> Calm --> Victim --> Investigation --> Victim --> Tracking --> Closing In on Killer --> Killer Brought to Justice
  • In the movies about serial killers, the Killer is conventionally portrayed to be obsessive about his killings, however in "The Zodiac" the obsessive character is the cartoonist (Jake Gyllenhall). There is also no closure in the film as they never catch the killer, this is due to the film being based on a true story. He is a californian killer and he will never be shot(convention) due to the lack of death penalty. The investigators also never seem to get the upper hand in the movie, this is also due to lack of plot conventions as the killings in this case were completely random.
  • The Zodiac & Serail Killer Conventions -
    • There is no Closure, Never caught him in real life 
    • There is no calm, the movie opens to a killing 
    • Investigators never in control
  • Narrative Range
    • Unrestricted - Big Picture
      • The audience knows and sees more than the characters
      • Know about the killings
      • Know the killer was never caught
      • 1968-1990, very big case
    • Big Picture
      • High Angle Shots (Often Establishing Shots)
      • Reminds us of the big picture of the plot
      • Omnipotent
      • Cold, Unemotional, Clinical, Floating (Overly Perfected)
    • Restricted - Detail
      • Characters and audience learn story simultaneously
      • Details of the case
      • Arthur Leigh Allen becomes a suspect
      • Complexity of the investigation
    • Detail
      • Inside of Cars - Claustrophobic, Trapped
      • Gives a POV of the scene to provide evidence